The novel Skellig by David Almond seems more a novel about the power of love and hope than it is fantasy. However, love and hope are not genres of young adult fiction, therefore fantasy will have to suffice. Reading Skellig reminded me of all the times that the power of hope and love played a tangible role in my life. In particular I was reminded of the struggle that my family went through when my brother was diagnosed with a brain tumor.
Similar to the plot of Skellig, my family went through a crisis. Instead of a baby sister with a heart problem I experienced a brother with a brain tumor. I could relate to Michael’s uncertainty and his inability to help in what he thought was a meaningful way. When my brother was diagnosed with his tumor he lived in Washington, D.C. The distance between us created a chasm that made me feel removed from the problems he was facing. It also made me feel as if I was unable to help. When Michael is left at home with the neighbor or forced to go to school he seemed to experience a similar feeling of helplessness. He was unable to do anything for his little sister and the physical distance between him and his mother made it impossible for Michael to provide physical comfort.
During this time my family spent many days visiting doctors and in and out of the hospital. It need not be said that we wanted only what was best for my brother. Throughout this period, his surgery, and his recovery there was a lot of positive thinking and praying that took place. At times it felt as if I could physically touch all of the prayers, hope, and love that surrounded my family. There were so many people who cared, and so many people who kept my family in mind, that it was hard to ignore the power of all that positive thinking. I felt this positivity; it seemed that Michael manifested Skellig as the physical representation of his hope for his baby sister.
Skellig first appears when Michael and his family move to their new house where things are supposed to be great. However life does not go as planned and Michael’s sister is born premature. Michael is told to pray for his sister and think positive thoughts; only he doesn’t know what positive thoughts to think. It is at this point that Michael finds Skellig, the being who eventually helps to, in Michael’s mind, save his sister. Skellig is a part of Michael’s life for as long as he needs to pray for his sister. Skellig provides Michael with a mystery that is more tangible than the problems with his sister. Michael can help Skellig survive; satisfying the need he has to help his sister.
The life of Skellig and the life of Michael’s sister mirrored each other throughout the course of the novel. Michael’s sister had ups and downs; she was allowed to come home from the hospital and then forced to go back; she had the tubes and wires removed and then put back. It was uncertain whether or not she was going to survive. This same uncertainty surrounded Skellig. At first Michael was not sure if he really existed. Once Michael confirmed the existence of Skellig he still did not know who he was or what he was doing in Michael’s garage. After moving Skellig to the abandoned house, Michael wanted to know what Skellig was and why he was there. Skellig’s true nature is never revealed. He simply states that he is, “Something like you, something like a beast, something like a bird, something like an angel” (167). Skellig is able to fill all of the rolls that Michael needs him to play.
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2 comments:
Nathan,
I haven't read Skellig, but I have Kit's Wilderness in my grasp right now (another Almond text).
Wow-you have an intimate connection to this text; that is similar to the end of Looking for Alaska for me (one of my best friends was murdered three years ago--victim to a random violent crime).
From reading your post, it seems this text has the reader on an emotional rollercoaster with the pain of the family, the struggle of the child and the appearance of the "angel". You mention that it is a book about hope--is that the role Skellig plays? Does he/she/it inspire Michael with an ability to make it through this difficult time, or does it help him to be more "present" in his sister's struggle?
I also wonder, is a piece of this text about a young boy who also needs some attention from a family who is distracted with an exceedingly larger issue?
I also must ask, how is your brother today?
Nathan,
Thank you for sharing such a personal story about your family’s, and more specifically your brother’s, struggle with his brain tumor. As you said, love and hope are not traditionally technical genres of YA fiction, therefore fantasy, surprisingly enough, can cover those topics. I agree that, while Skellig is most definitely a fantasy novel in that the Skellig is an unknown, magical creature, the main messages in the book surround Michael’s struggles of helplessness and worry surrounding his sick baby sister.
Having read your personal reaction to the book, and hearing the associations you felt between your feelings during your family’s time and Michael’s, I see how Almond played off of these emotions to create the fantasy world of Skellig. As opposed to The Graveyard Book, which literally takes place in a fantasy world (where we have to accept the magical aspect as truth), Skellig transports us to a place where we are actually not sure if what we are reading is truth in the characters’ worlds or an illusion. After reading your response, I see, even more deeply, how Skellig may not have been an actual angel-like creature, but instead the embodiment of hope and healing for Michael’s baby sister.
In response to your critical analysis, I agree that Skellig was a symbolic representation of Michael’s baby-sister. As Michael’s sister had ups and downs, so did Skellig. With the mystery surrounding the baby (especially for Michael who was at home much of the time during her stay in the hospital), Skellig provided answers, relief, and distraction for him during this confusing and stressful time. I am not sure if I enjoyed never really finding out Skellig’s true nature and identity. I like the quote you use at the end of you response. Your critique that Skellig is able to fill all of the rolls that Michael needs him to play is a very crucial concept to observe and grasp. Skellig was as much a fantasy character as a real-life anchor.
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